四重奏
771
10.0
更新至10集/全0集
四重奏
10.0
更新时间:01月04日
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
简介:It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's"moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the"nice" and the"good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd."Is that all you're worried about?" demands an outraged Marya."Yes," Lois replies with icy candor,"as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
5580
0
四重奏
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
哆啦A梦大雄的恐龙
739
8.0
正片
哆啦A梦大雄的恐龙
8.0
更新时间:9分钟前
主演:哆啦a梦:大山羡代,大雄:小原乃梨子,胖虎:立壁和也,小夫:肝付兼太,静香:野村道子
简介:小夫炫耀自己家的暴龙趾骨化石。大雄眼红并信口开河表要找大整架恐龙化石,否则便用鼻子吃意大利粉。于是,他便前往图书馆借了些有关恐龙化石的书籍。后来他在附近的断层挖到一枚恐龙蛋的化石,并以时光布还原之后得到一只双叶颈龙,并以叫声将之命名为“皮助”。很快大雄和它成为好朋友,但因它越长越大且被人发现,故大雄决定将他送回白垩纪时代。可是,后来却发现将它错送到上古的北美洲。于是,大雄一行人乘时光机再次回到恐龙时代,但途中被欲抢皮助的神秘人追击,时光机因而故障,使大家必须靠自己沿着古陆块回到日本。经过长时间的冒险,神秘人物再度出现希望获得皮助,原来是未来的违法恐龙猎人,要获得皮助卖钱,要大雄一行以交出皮助为条件,换取将他们用时光机送回家。大雄最后决定则想办法夺取时光机,但途中被发现而使静香、小夫、胖虎被抓,哆啦A梦和大雄赶往援救却进入陷阱,他们被放在基地中的恐龙竞技场中,恐龙猎人放出恐龙,在可能被吃的千钧一发下,原来该恐龙是吃过桃太郎饭团的恐龙,因此在恐龙的协助下反败为胜,又配合赶到的时光巡逻队打败了恐龙猎人。最后在时光巡逻队的帮助下,将皮助带回它的故乡,可皮助对大雄万分不舍,……
5176
1980
哆啦A梦大雄的恐龙
主演:哆啦a梦:大山羡代,大雄:小原乃梨子,胖虎:立壁和也,小夫:肝付兼太,静香:野村道子
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