厄舍古厦的倒塌
686
5.0
超清
厄舍古厦的倒塌
5.0
更新时间:2026年01月04日
主演:让·德比古,Marguerite Gance,Charles Lamy,Fournez-Goffard,Luc Dartagnan,阿贝尔·冈斯,Halma,Pierre Hot,Pierre Kefer
简介:根据埃德加·爱伦坡同名小说改编。 《厄舍古屋的倒塌》是爱伦坡最着名的心理恐怖小说之一。主人公罗得瑞克的性格,他与妹妹玛德琳的关系,以及他活埋妹妹的动机一直是人们关注的焦点。小说全篇贯穿了大量的意识流描写,堪称心理小说中的精品。 罗德里克与年轻的妻子玛德莱娜生活在厄舍家族的古厦里,一位医生经常来这里看望体弱多病的玛德莱娜。如同厄舍家族的所有男人,罗德里克充满激情地为妻子画肖像。在这个过程中,玛德莱娜的健康每况愈下,好像她的灵魂逐渐转移到了肖像上。随着肖像的完成,玛德莱娜停止了呼吸。深深地爱着妻子的罗德里克相信妻子只是睡着了,拒绝将她埋葬,而是在孤独中等待她的归来。一个电闪雷鸣的夜晚,他终于看到妻子活着回到了自己身边。然后,他们一起飞向天空,看到身下的厄舍古厦在雷击引起的大火中化为灰烬。 本片取材于美国着名小说家爱伦·坡的同名短篇小说,并且参照了他的其他两个短篇小说。坡的小说可以分为恐怖小说和推理小说两大类,《厄舍古厦的倒塌》属于前者。坡自称他的小说的特点在于“把滑稽提高到怪诞,把害怕发展到恐惧,把机智扩大成嘲弄,把奇特变化为怪异和神秘”。影片《厄舍古厦的倒塌》通过非常的摄影角度、特写镜头、画面迭印、镜头移动等艺术技巧,较好地传达了原着的恐怖和神秘气氛。影片发行后虽然获得评论界的好评,但是未能取得令人满意的票房。值得提及的是,路易斯·布努艾尔以助理的身份参加了这部影片的创作。本片导演让·爱普斯坦(1897—1953)是法国20年代印象派电影的重要代表人物之一,起初从事电影理论研究和影评写作,20年代初开始导演生涯,一生中创作过约30部影片。1924年,法国的印象派电影随着其创始人路易·德吕克的去世而宣告结束,爱普斯坦转而拍摄先锋派的新影片。萨杜尔语说,受表现主义影响,爱普斯坦拍摄的先锋派电影“专供那些光顾专门性的电影院的有高等文化修养的人士观看”。
4415
0
厄舍古厦的倒塌
主演:让·德比古,Marguerite Gance,Charles Lamy,Fournez-Goffard,Luc Dartagnan,阿贝尔·冈斯,Halma,Pierre Hot,Pierre Kefer
金钱不要碰
807
4.0
超清
金钱不要碰
4.0
更新时间:2026年01月04日
主演:让·迦本,勒内·达里,多拉·多尔,Vittorio Sanipoli,玛丽莲·布费尔德,Gaby Basset,Paul Barge,阿兰·布韦特,丹尼尔·柯西,Denise Clair,Angelo Dessy,Lucilla Solivani,Michel Jourdan,Paul Oettly,让·里韦尔,德利娅·斯卡拉,利诺·文图拉,保罗·弗朗克尔,让娜·莫罗
简介:生意人麦斯(让·加宾 Jean Gabin 饰)游走于城市中灯火颓靡的场所,与一些黑帮人物保持着来往,不少女人欣赏他沉稳又不失轻佻的做派。是日,麦斯与合作多年的搭档里顿在舞厅里为毒贩安格罗提供了帮助,其时安格罗与里顿的情妇有染,麦斯虽心知肚明,但并未挑破,只是埋怨里顿把过多的精力用在不必要的地方。麦斯将里顿带回秘密住处,告之自己因汽车生意意外得到了价值五千万法郎的金砖。但消息不慎走漏,安格罗等人本欲为女人枪杀里顿,得知金砖存在之后遂将目标改变。麦斯独自摆脱追踪,里顿反因情妇被对方控制,一番权衡之下,麦斯组织人手,要从安格罗手中救下里顿…… 本片获1954年威尼斯电影节最佳男主角奖。
2228
0
金钱不要碰
主演:让·迦本,勒内·达里,多拉·多尔,Vittorio Sanipoli,玛丽莲·布费尔德,Gaby Basset,Paul Barge,阿兰·布韦特,丹尼尔·柯西,Denise Clair,Angelo Dessy,Lucilla Solivani,Michel Jourdan,Paul Oettly,让·里韦尔,德利娅·斯卡拉,利诺·文图拉,保罗·弗朗克尔,让娜·莫罗
四重奏
771
10.0
更新至10集/全0集
四重奏
10.0
更新时间:2026年01月04日
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
简介:It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's"moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the"nice" and the"good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd."Is that all you're worried about?" demands an outraged Marya."Yes," Lois replies with icy candor,"as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
5580
0
四重奏
主演:阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯
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