藏在照片里的真凶

简介：约翰和简已经结婚了7年多，生活就像淡水般无味。婚姻就像坟墓，让他们过着死水一潭的生活。然而这仅仅是表象。背后他们各有刺激惊险的职业——约翰和简分属两个不同的秘密杀手机构，但彼此却不知道对方的职业身份。直到他们同时接到一个任务，刺杀目标竟是同一人。身份的真相才开始慢慢揭开。反复的试探和猜测，简终于不小心说穿了自己身份。于是一场同室操戈不可避免的发生了。但是他们也开始意识到，自己只是组织的一个棋子。而眼前的，是共同生活了7年的爱人。

简介：简凡从小在饭店长大，自诩厨中高手，立志子承父业成为“神厨”，被伙伴戏称为“锅哥”。从商学院毕业后在父母安排下到派出所当协警。他凡事总以厨艺为喻，从细微处窥得事物真谛。生性活泼，遇事谨慎，思维敏捷，生活里经常耍一些小聪明，爱情上时常左右摇摆，但心中的正义底线从未打破。在协助侦破一起抢劫案时，市局刑警支队支队长发现他的特质，经过师傅刻意的培养，经历了挫折与考验，终于通过考试，成长为一名合格刑警，屡破大案，自信中带了些许桀傲,初具将帅之才。局领导非常赏识他与众不同的胆识，委以重任侦破一起悬案。简凡与警队的战友，为了心中的忠诚与坚守，忍辱负重，不畏艰难，与犯罪嫌疑人进行不屈不挠地艰苦斗争，终于侦破悬案。简凡也对自己的职业做出无悔的选择。

简介：　　充满了阳光和活力的夏天到来了！为了应付炎热的天气和即将到来了秋冬，汀克贝儿（梅·惠特曼 Mae Whitman 饰）和她的仙子朋友们此刻正忙得不亦乐乎。虽然身为仙子，但也有着各自不同的喜恶，汀克贝儿和薇迪亚（Pamela Segall 配音）就一直看对方不太入眼，这不，为了一点小事，两人又吵了起来啦。\n　　令两人没有想到的是，就在这个节骨眼上，一个人类的孩子莉兹（Lauren Mote 配音）竟然在无意之中将汀克贝儿给捉走了！如果坐视不管，仙子们企图隐藏的仙子世界终究会被人类发现。为了解救同伴，薇迪亚前后奔走着，祸不单行，雨季来临了，一边是恶劣的天气，一边是陷入危险的汀克贝儿，薇迪亚会怎么做呢？

简介：命运给帕乌（素格力•威塞哥饰）开了一个玩笑。他是泰国最大的日用品生产公司总裁、炙手可热的青年才俊。但当他遇见万妮达（艾丝特•苏普莉拉饰）——一位法律公司美女秘书，生活的规矩偏向了完全不同的方向。 万妮达听从闺蜜樊子（彭干雅•查仑育饰）的建议，准备在豪华游艇上和男朋友塔纳瓦（吉克斯•梅非丹饰）共度甜蜜时光，而当天同时是帕乌计划向自己的芭蕾舞者女朋友柯凯（蓝蓝琳•德加莎•维饰）求婚的日子。然而柯凯因为急着赶去纽约与皇家芭蕾舞团签约，最终没有上船。在船上，帕乌被刚收购的工厂负责人苏农（迪•东萨导饰）和他的儿子苏鹏（瓦拉文•佛严饰）合谋下药，致使他与吃感冒药而昏沉进错房间的万妮达发生了关系，帕乌误会万妮达与苏农和苏鹏合伙给他下套，非常生气。万妮达因失去清白而难过失落，并且还发现男朋友塔纳瓦不仅从没爱过自己还一直在利用自己，因而更加伤心痛哭不止。因为可怜万妮达，帕乌用了些手段让塔纳瓦认识到了万妮达的价值——把万妮达打扮得好似一位公主，并把她带到了塔纳瓦的面前，骗他输光了赌博的筹码。而当帕乌与万妮达在一旁聊天时，游轮员工误以为万妮达就是柯凯，因此按计划为他们举行了盛大的求婚仪式，他们就只能将错就错将仪式进行下去。与帕乌的相处，让万妮达暂时忘记了伤痛，在万妮达心里认为这辈子应该没有机会再见到帕乌了，没想到她竟然怀孕了！ 当帕乌的奶奶帕查尼（杜婉达•董卡玛尼饰）得知此事后，立即让帕乌与万妮达结婚，因为她想得曾孙继承家族。帕乌态度装作很不友善，想控制自己不要爱上万妮达，幸好万妮达得到艺术青年塔亚（潘帕塔拉•斯卡真饰）一路的鼓励与帮助，因为塔亚把万妮达当成他失散多年的姐姐。不久柯凯从纽约回来了，她得知帕乌已经和万妮达结婚的真相后，不择手段要把帕乌抢回来。帕乌发现自己逐渐爱上了万妮达，但却得知自己得了不治之症。为了不想拖累万妮达，帕乌对万妮达恶语相对，直到意想不到的意外发生了，万妮达因此流产。 3年后，帕乌在一次艺术展览中再次遇见了万妮达，帕乌抑制不住自己想要接近万妮达，不惜用合作生意的手段来博得存在感，最终万妮达得知了当年的真相，原来帕乌对她这么恶劣是因为他当时重病，万妮达还能忘记当年的痛吗？而帕乌是否在她心中还有一席之地呢？

简介：　影片讲述了三段故事，三个人生的爱恨情仇。滚滚红尘，欲望都市，每天都上演着男欢女爱，悲欢离合。程序员谢朗风流倜傥，泡上澳门黑社会大佬的掌上明珠霍安娜；安娜美艳、单纯、蛮横，却被谢朗的半真半假的谎言打动，于是泡妞变成被泡，二人信誓旦旦永不相负。然而一夜欢愉之后，大佬带走了爱女，留给谢朗的只是无尽的惆怅

简介：艰苦的平型关大捷之后，一支精锐的八路军七人小分队马上就接到了更为艰巨的任务——深入敌后，营救一位国民党密码专家……这场险象环生的任务中，小队遭遇了水上白刃战、渡河阻击战、山地伏击战、碉堡攻坚战！一场注定少不了牺牲的任务，一场注定要以少敌多的战场，他们最终命运会是如何？

简介：透过大观园的朱楼画栋，解码封建王朝的文化密码。本片以曹雪芹家世为引，串联脂砚斋批本与红学考据，解析宝黛钗的情感悲剧如何映照四大家族兴衰，从园林建筑、服饰饮食等细节，揭开《红楼梦》中“真事隐”的历史隐喻与人文哲思。

简介：The last time Britain was a major force in world cinema was in the 1960s; a documentary of a few years back on the subject was entitled 'Hollywood UK'. This was the era of the Kitchen Sink, social realism, angry young men; above all, the theatrical. And yet, ironically, the best British films of the decade were made by two Americans, Richard Lester and Joseph Losey, who largely stayed clear of the period's more typical subject matter, which, like all attempts at greater realism, now seems curiously archaic. 'King and Country', though, seems to be the Losey film that tries to belong to its era. Like 'Look Back in Anger' and 'A Taste of Honey', it is based on a play, and often seems cumbersomely theatrical. Like 'Loneliness of the long distance runner', its hero is an exploited, reluctantly transgressive working class lad played by Tom Courtenay. Like (the admittedly brilliant) 'Charge of the Light Brigade', it is a horrified, near-farcical (though humourless) look at the horrors of war, most particularly its gaping class injustices. Private Hamp is a young volunteer soldier at Pachendaele, having served three years at the front, who is court-martialled for desertion. Increasingly terrorised by the inhuman pointlessness of trench warfare, the speedy, grisly, violent deaths of his comrades and the medieval, rat-infested conditions of his trench, he claims to have emerged dazed from one gruesome attack and decided to walk home, to England. He is defended by the archetypal British officer, Captain Hargreaves, who professes disdain for the man's cowardice, but must do his duty. He attempts to spin a defence on the grounds of madness, but the upper-crust officers have heard it all before. This is a very nice, duly horrifying, liberal-handwringing, middle-class play. It panders to all the cliches of the Great War - the disgraceful working-class massacre, while the officers sup whiskey (Haig!) - figured in some charmingly obvious symbolism: Hargreaves throwing a dying cigarette in the mud; Hamp hysterically playing blind man's buff. The sets are picturesquely grim, medieval, a modern inferno, as these men lie trapped in a never-ending, subterranean labyrinth, lit by hellish fires, with rats for company and the constant sound of shells and gunfire reminding them of the outside world. The play, in a very middle-class way, is not really about the working class at all - Hamp is more of a symbol, an essence, lying in the dark, desolately playing his harmonica, a note of humanity in a score of inhumanity. He doesn't develop as a character. The play is really about Hargreaves, his realisation of the shabby inadequacy of notions like duty. He develops. This realisation sends him to drink (tastier than dying!). Like his prole subordinates, he falls in the mud, just as Hamp is said to have done; he even says to his superior 'We are all murderers'. This is all very effective, if not much of a development of RC Sherriff's creaky 'Journey's End', filmed by James Whale in 1930. Its earnestness and verbosity may seem a little stilted in the age of 'Paths of Glory' and 'Dr. Strangelove'; we may feel that 'Blackadder goes forth' is a truer representation of the Great War. But what I have described is not the film Losey has made. He is too sophisticated and canny an intellectual for that. The film opens with a lingering pan over one of those monumental War memorials you see all over Britain (and presumably Europe), as if to say Losey is going to question the received ideas of this statue, the human cost. But what he's really questioning is this play, and its woeful inadequacy to represent the manifold complexities of the War. This is Brechtian filmmaking at its most subtle. We are constantly made aware of the artifice of the film, the theatrical - the stilted dialogue is spoken with deliberate stiffness; theatrical rituals are emphasised (the initial interrogation; the court scene, where actors literally tread the boards, enunciating the predictable speeches; the mirror-play put on by the hysterical soldiers and the rats; the religious ceremony; the horrible farce of the execution). Proscenium arches are made prominent, audiences observe events. This is a play that would seek to contain, humanise, explain the Great War. This is a hopeless task, as Losey's provisional apparatus explains, 'real' photographs of harrowing detritus fading from the screen as if even these are not enough to convey the War, never mind a well-made, bourgeois play. Losey's vision may be apocalyptic - it questions the possibility of representation at all - the various tags of poetry quoted make no impact on hard men men who rattled them off when young; the Shakespearean duality of 'noble' drama commented on by 'low' comedy, effects no transcendence, no greater insight. Losey's camerawork and composition repeatedly breaks our involvement with the drama, any wish we might have for manly sentimentality; in one remarkable scene an officer takes an Aubrey Beardsley book from the cameraman! This idea of the theatrical evidently mirrors the rigid class 'roles' played by the main characters (Hamp's father and grandfather were cobblers too; presumably Hargreaves' were always Sandhurst cadets). Losey also takes a sideswipe at the kitchen sink project, by using its tools - history has borne him out.

简介：虎胆妙算讲述「不可能小组」是个团队，他们专门负责解决最高难度的机密事件，不仅任务给的机密，而且成败自行负责，政府完全不承认有这个组织和任务，每次任务的给定，都是来自录音带中出现的声音，任务交代后，声音即被销毁。团队首领「龙头老大」负责企画，他深谙底下每个成员的能力，做出最精密万无一失的佈局，让每个人适任适份的扮演好自己的角色，而后按佈局完成任务。这很典型的是冷战时代会出现的影集。后改编为汤姆·克鲁斯主演的碟中谍系列电影。

简介：奥特战士们的故乡遭到神秘敌人的突然袭击，在父亲赛文奥特曼的帮助下，赛罗奥特曼成功突围并消灭了敌人，他戴着父亲给予他的万能物品——赛罗手镯，向着未知的宇宙空间独自踏上旅途。之后，在通过与行星艾斯美拉鲁达的公主艾美拉娜会面后，赛罗奥特曼知晓了敌人的真正身份——“银河皇帝贝利亚”！曾被奥特曼战士们齐心打倒的邪恶战士贝利亚复活了，他构筑起强大的银河帝国，展开了称霸宇宙的征程。

简介：　　主持人史努比狗狗迎来一众好友，传奇喜剧演员凯特·威廉姆斯和迈克·艾普斯等人纷纷登场。

简介：承接《潜行狙击》电视剧结局，梁笑棠Laughing谋杀苏星柏罪名成立，判处无期徒刑；梁笑棠在狱中结识大学教授霍天任，教授外表斯文，与世无争，但却能以心理陷阱收服穷凶极恶的 “巨川”。其实教授是高智商的犯罪心理学家，擅用冷读法，可以洞悉对方心理活动和秘密，于无声中掌控他人。 神秘女子到狱中探望梁笑棠，其隶属比警队更高层次的保安局，原来，梁笑棠入狱是再次担当卧底角色。当日，杀苏星柏是另有其人，保安局副局长怀疑整件事跟潜藏警队中的黑警团伙有关，所以借势令梁笑棠入狱展开调查。 梁笑棠亦步亦趋主动接触狱中目标人物前毒品调查科警长“大切”在将要取得进展时，发现教授亦同时以心理治疗法，令“大切”多次精神错乱，直至向“大切”发出了死亡暗示。 一场敌友难分、正义与邪恶的生死对决在实力极不均衡的态势下火爆展开了。