住在年长朋友家里的井鹤，一直盯着嫂子丰满的胸部。有一天，嫂子喝醉了，说觉得前辈出轨了，就当着井鹤的面脱光衣服，躺在床
住在隔壁的姐姐每天都会带不同的男人来和我做爱。因为隔音不好，我每晚都能听到她的呻吟声，所以我每天都会兴奋起来，欲望也越来越强烈。后来有一天，姐姐强行把我占了。她一看到我的东西，就兴高采烈地吮吸起来，我什么也做不了，只能射精。第二天，住在隔壁的姐姐就当什么事都没发生过一样对待我，我又回去见她，报复前一天的委屈
사랑? 보다는 섹스! 한때 명문대를 졸업한 병철은 고시 준비생이다. 그는 어릴 적 불량청소년들로부터 자신을 구해준 옆집 누나인 지영을 짝사랑하고 있다. 지영은 한때 잘나가던 연예인 매니저인 지완과 사귀고 있지만, 사랑하지는 않는다. 우연히 병철과의 다시 이어진 인연으로 그와의 새로운 사랑을 꿈꾸지만, 지완은 그 둘의 사랑을 방해하기 시작하는데...
上个世纪初,楼兰古城遗迹被发现,引得各国探险家争相前往探险觅宝,无数的珍贵文物被国外盗宝集团大量盗掘。探险家陈霄一直在为阻止盗匪肆意破坏古迹,盗掘国宝而努力,因此被许多盗匪视为眼中钉。在一次逃避盗匪的追杀中,陈霄误入一片从未被人踏足过的区域,这个地方就是传说中的的“蜃楼城”,为保护这座神秘的古城以及其中的宝藏,陈霄找来好队友,持有羊皮古卷的娜扎,野外求生专家泥鳅帮忙。曾经并肩作战的黄金组合再次聚齐开启保卫国宝之旅。与此同时,跨国大盗光谷大超也得到了“蜃楼城”的消息,并迅速组织了大量人手,准备盗墓。盗宝团碰上守宝团,双方展开激烈火拼。缠斗中,古墓神秘面纱被揭开。随着逐渐接近宝藏,迎接他们的是古墓中的刀山火海,剧毒陷阱。在九死一生通过种种险恶的机关后,还有巨大的怪虫在等待着他们......面对古墓掀起的惊天劫难,陈霄等人能否力破险局守护国宝,还要等影片上...
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
