影片通过追逐与命案,讲述了一段真实感人的爱情故事。核心不是命案,不是拐卖儿童案,是温暖与希望。无论生活有多悲催,只要相信爱拥有爱,就会无所畏惧,充满希望。善恶对错不应是非黑即白,人就如同两栖动物,始终游离在善恶之间的一念之差,贵在如何选择。
街头饮酒的人数有所增加。他接近一名略微醉酒的女大学生并带她去酒店喝酒。沉浸在气氛激动人心的热辣游戏中!无法忍受看到半裸女大学生的男人开始采取行动
唐伯虎为一代风流人物,妻妾八人,还到处留情。一次在途中巧遇俏佳人秋香被她美绝产容吸引,惊为天人。后在庙中参神相遇,秋香回眸一笑,把唐伯虎看得神魂癫倒;伯虎立下决心,誓要赢得美人归。为要接近佳人,伯虎不借卖身于太史府为仆……
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez