从初唐走向盛唐

简介：一桩锁定网红的连环杀人案，线索直指神秘预言网红“巴巴女巫”。她的每次预言皆精准应验，引爆百万网友参与推理。资深刑警陈家任（郑伊健 饰）为破解真相，与人气网红“柚子”（娄峻硕 饰）合作，却在案情逼近核心时，揭开骇人的秘密与真相。

简介：　　素贤（李美淑饰）有一个美满的家庭，10岁大的儿子聪明可爱，丈夫是名事业有成的建筑师。纵然生活富裕不让素贤苦恼，但她的内心却感到了生活的苦闷。这时候，素贤妹妹的未婚夫宇因（李政宰饰）出现了在她的生活中。这名比素贤小10岁的男孩子深深吸引住了素贤，宇因也对素贤有极大的好感，两人渐渐了解多了之后，竟然坠入了爱河，可是宇因即将要跟素贤的妹妹结婚了。　　他们将如何面对各自的丈夫与未婚妻呢？

简介：《河中巨怪 第二季》回归捕捉更多非凡的超大型鱼类，并进一步调查淡水神秘事物并揭穿“水怪”真相。杰里米·韦德（Jeremy Wade）将踏遍全球，冒着生命危险前行，揭开关于我们星球的河流和湖泊黑暗秘密的真相。在这一季中，你会发现巨型蛇头，歌利亚虎鱼，巨型黄貂鱼和牛鲨，这些神秘的捕食者以及它们身为杀手的潜力。

简介：《聊斋》是清朝文人蒲松龄撰写的经典灵异小说，描写狐仙鬼怪与人之间的恩怨情仇，借鬼怪世界来反映人世。《牡丹灯笼》,《狐媚》,《花妖》取材于《聊斋》，既彼此独立又相互联结，构思新颖，在旧的情节上加以丰富，更加引人入胜。讲述了一段段凄美动人的人鬼恋,人妖情，带你走进奇幻幽异的鬼怪世界。本片画面精美,语言华丽，采用相同的演员串联全局，使剧集有很强的连贯性。

简介：《档案》是一档国内首创并唯一拥有自主讲述类纪录片模式的品牌栏目，《档案》栏目依托历史档案的发掘和呈现，讲述历史事件，揭秘历史谜团，还原历史真相，通过对历史的分析与解读，引导观众建立正确的历史观，并在历史与现实的关联呼应中，启发人们对人生观、世界观、价值观的思考，从而实现对“真善美”主流价值观的传递。

简介：以飞车特技知名的"小黑"柯受良其实也是一个不错的娱乐片导演，本片正是其代表作。周星驰与张学友扮演尖沙咀区的两名便衣刑警，平常互相插科打诨，但为求破案则不择手段，中间他们认识了一名来拍节目的电视台女记者，两人为了追求这位美女而面临友情的考验。全片拍得相当轻松有趣，将新新人类玩世不恭的处世态度生动活地带入警匪动作片之中，配合了男主角的讨喜演出和导编讽刺现实的喜趣，构成了这部特色鲜明的商业片。

简介：当邦妮将所有玩具带上房车家庭旅行时，胡迪与伙伴们将共同踏上全新的冒险之旅，领略房间外面的世界有多广阔，甚至偶遇老朋友牧羊女。在多年的独自闯荡中，牧羊女已经变得热爱冒险，不再只是一个精致的洋娃娃。正当胡迪和牧羊女发现彼此对玩具的使命的意义大相径庭时，他们很快意识到更大的威胁即将到来。

简介：为了站上大韩民国的权力之巅，投身权力卡特尔(译注:检察官体系中紧密的利益集团)的检察官方泰燮，与围绕在他身边的人所上演的一场激烈生存博弈。

简介：　　本片以1398年发生在朝鲜李氏王朝的"戊寅靖社"事件为背景，讲述了三个男人的欲望和野心。还有一名为了报复而接近男主人公的妓女，却爱上仇人男主人公。四个人将身心投入到犬色声马中，无法自拔……三个男人更是沉浸在自己的世界中，在历史的洪流中谱写一幕幕血雨腥风……

简介：【此节目为音频】扫黑除恶专项斗争开展以来，全国各级政法机关会同纪检监察机关，以雷霆之势重拳出击，打掉了一批涉黑涉恶犯罪组织及其“保护伞”。前期，全国扫黑办共挂牌督办了五批73起涉黑涉恶案件，推动各地攻克了包括孙小果案、“操场埋尸”案在内的一批“钉子案”、“骨头案”，极大地震慑了黑恶势力犯罪，人民群众拍手称快！本专辑为您详细披露扫黑除恶大案最为瞩目的涉黑大案，以普法教育警示后人！其中很多是扫黑办挂盘督办的大案，例如：妄图统一太原江湖的“黑帮老大”李满林；涉黑资产高达11亿的安徽刘氏四兄弟；盘踞30余年，涉案33.8亿的云南扫黑第一大案乔氏家族；“牵出29个“保护伞”、涉案近40亿的黑老大”虞关荣等涉黑大案等！

简介：　该剧改编自2010年电影《基督再临》（Legion），故事发生在电影时间的25年之后。天使军团与人类的战争彻底改变了地球的模样，人们熟知的世界已经彻底毁灭，但终极战争尚未到来。在该剧中，桀骜不驯的年轻士兵Alex Lannen（Christopher Egan）发现自己竟然是人类的救世主——虽然他并不情愿承担这个责任。Alan Dale扮演Rysen将军，领导人类在灭绝战争（Extermination War）中取得了阶段性胜利。他现在统治着Vega（原拉斯维加斯城）——战争结束后仅存的四座人类城市之一。Vega完全实习军事化管理，社会等级森严，Rysen必须竭尽全力才能维持社会的稳定并处理好政治上的事情。与此同时，他还要确保自己的女儿Claire不惹是非。 　　Tom Wisdom扮演大天使战团中最杰出的勇士Michael（米迦勒，电影中由Paul Bettany扮演），他在灭绝战争期间帮助人类击败天使战团。他现在住在Vega城，利用他的超自然能力来保护城中居民不受敌人的攻击。Anthony Stewart Head扮演Vega议院推选的总统David Weel，和Rysen将军一起治理Vega。他渴求权力，时常与Rysen将军发生矛盾。他不惜使用一切手段来确保Vega的稳定并巩固自己的统治地位。Roxanne McKee扮演Rysen将军的女儿Claire Rysen，在Vega相当于一个公主。她生活在Vega上流社会的顶层，但她意志坚强，比一般的富家千金更有魄力。Luke Allen-Gale扮演David Weel的儿子William Weel，他对政治不感兴趣，只想帮助老百姓。他现在是救赎者教堂的负责人。Shivani Ghai扮演Helena外交官Arika（非常规角色）。Helena是一个神秘的母系社会，非常好战。他们盘踞在原来的盐湖城，与Vega维持着脆弱的和平。

简介：

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...